The official guidebook for the Zymoglyphic Museum

Miniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and now available in paperback for the first time, this highly original book draws on insights from semiotics and from psychoanalytic, feminist, and marxist criticism. Addressing the relations of language to experience, the body to scale, and narratives to objects, Susan Stewart looks at the "miniature" as a metaphor for interiority and at the "gigantic" as an exaggeration of aspects of the exterior. In the final part of her essay Stewart examines the ways in which the "souvenir" and the "collection" are objects mediating experience in time and space.

Total Design Sourcebooks is a new series that aims to round up the very best design solutions within a particular field. A mixture of case study and analysis, this series features inspirational ideas, concise interviews, innovative solutions, and imaginative imagery, all presented in a sophisticated, picture-led format, which will become a design studio must-have. By emphasizing the cross-disciplinary nature of today’s design consultancies, and the greater role of collaboration between designers and firms with different skills and specialties, the Total Design Sourcebooks present an holistic approach to design, which accurately illustrates the way brands are designed and marketed these days.   

 

The first title in this exciting new series, Display, includes 55 projects from galleries, exhibitions, museums, and trade shows. For each project, the total design is examined, including architecture, interiors, exhibition design, lighting, banners, branding, identity, interface design, packaging, and websites.

Snaking beneath the streets and crumbling churches of Naples is a vast system of ancient catacombs and aqueducts, many lined with skulls in seemingly endless rows stretching far back into the depths of the caverns.  In The Living and the Dead, Margaret Stratton provides an unusual photographic record that documents these spaces in which Neapolitans of early Christian history sought to preserve emotional connections to the afterlife through rituals in which the tangible skull represents the ephemeral soul.

 

Among the remarkable underground cemeteries of Naples that Stratton captures in The Living and the Dead are the Catacombs of San Gennaro, the Catacomb San Gaudioso, and il Cimitero delle Fontanelle. Unlike typical early Christian catacombs, the catacombs of Naples were constructed more like underground cathedrals, with passageways so vast they could accommodate horse-drawn chariots, ox-carts, and large biers carrying many corpses. Strikingly, Stratton’s photographs show that, unlike the rigid class system that governed medieval Naples, the catacombs offer a virtually classless society, where noblemen and peasants were laid to rest side by side, their remains indistinguishable from one another. 

 

The beautiful and solemn images of The Living and the Dead document the delicate reciprocity between death and the afterlife, between the living and the dead, and between the early history of Catholicism and pagan ritual.

What would Christianity be like without the soul? While most people would expect the Christian bible to reveal a highly traditional opposition of matter and spirit, the spirit forces of the Old and New Testaments are often surprisingly physical, dynamic, and practical, a matter of energy as much as ethics. The Secret History of the Soul examines the forgotten or suppressed models of body, soul, and human consciousness found in the literature, philosophy and scripture of the ancient and classical worlds. It shows how the spirit forces of Homer, Plato, Aristotle, and the Old and New Testaments tended to be quantities not entities, and to be closely bound up with the dynamic physical flux of the human body, rather than cleanly abstracted in some absolute immaterial realm. Forces such as menos and thymos, nephesh, pneuma and dynamis not only blurred the line between body and soul, but were potent and transferable, being used, in New Testament culture, to effect magical cures or bestow magical power. Related to this surprising lack of body-soul dualism is a lack of dualistic afterlife in either Homer or Hebrew scripture, where Hades and Sheol are the sole post-mortem destinations. The Secret History of the Soul restores the living strangeness of a spirit world filled with potent energy and practical magic, in cultures which had not yet glimpsed the abstracted soul of later Christianity.

This digital document is an article from Scandinavian Studies, published by Society for the Advancement of Scandinavian Study on March 22, 2004. The length of the article is 1454 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details

Title: Barbro Stribolt. Scenery from Swedish Court Theaters: Drottningholm, Gripsholm.(Book Review)

Author: Alan Swanson

Publication: Scandinavian Studies (Refereed)

Date: March 22, 2004

Publisher: Society for the Advancement of Scandinavian Study

Volume: 76 Issue: 1 Page: 100(5)

Article Type: Book Review

Distributed by Thomson Gale

Someone dies. What happens next?

One family inters their matriarch’s ashes on the floor of the ocean. Another holds a memorial weenie roast each year at a greenburial cemetery. An 1898 ad for embalming fluid promises, “You can make mummies with it!” while a leading contemporary burial vault is touted as impervious to the elements. A grieving mother, 150 years ago, might spend her days tending a garden at her daughter’s grave. Today, she might tend the roadside memorial she erected at the spot her daughter was killed. One mother wears a locket containing her daughter’s hair; the other, a necklace containing her ashes.

What happens after someone dies depends on our personal stories and on where those stories fall in a larger tale—that of death in America. It’s a powerful tale that we usually keep hidden from our everyday lives until we have to face it.

American Afterlife by Kate Sweeney reveals this world through a collective portrait of Americans past and present who find themselves personally involved with death: a klatch of obit writers in the desert, a funeral voyage on the Atlantic, a fourth-generation funeral director—even a midwestern museum that takes us back in time to meet our deathobsessed Victorian progenitors. Each story illuminates details in another until something larger is revealed: a landscape that feels at once strange and familiar, one that’s by turns odd, tragic, poignant, and sometimes even funny.

The lives of more than twenty-five actresses lost before their time—from Marilyn Monroe to Brittany Murphy—explored in a haunting, provocative new work by an acclaimed poet and actress.

Amber Tamblyn is both an award-winning film and television actress and an acclaimed poet. As such she is deeply fascinated—and intimately familiar—with the toll exacted from young women whose lives are offered in sacrifice as starlets. The stories of these actresses, both famous and obscure-tragic stories of suicide, murder, obscurity, and other forms of death—inspired this empathic and emotionally charged collection of new poetic work.

Featuring subjects from Marilyn Monroe and Frances Farmer to Dana Plato and Brittany Murphy—and paired with original artwork commissioned for the book by luminaries including David Lynch, Adrian Tomine, Marilyn Manson, and Marcel Dzama—Dark Sparkler is a surprising and provocative collection from a young artist of wide-ranging talent, culminating in an extended, confessional epilogue of astonishing candor and poetic command.