Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century.

 

Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.

In Dracula and Philosophy 24 nocturnal philosophers stake out and vivisect Dracula from many angles.

John C. Altmann decides whether Dracula can really be blamed for his crimes, since it’s his nature as a vampire to behave a certain way. Robert Arp argues that Dracula’s addiction to live human blood dooms him to perpetual frustration and misery. John V. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Greg Littmann maintains that if we disapprove of Dracula’s behavior, we ought to be vegetarians. James Edwin Mahon uses the example of Dracula to resolve nagging problems about the desirability of immortality. Adam Barkman and Michael Versteeg ponder what it would really feel like to be Dracula, and thereby shed some light on the nature of consciousness. Robert Vuckovich looks at the sexual morality of Dracula and other characters in the Dracula saga. Ariane de Waal explains that “Dragula” is scary because every time this being appears, it causes “gender trouble.” And Cari Callis demonstrates that the Count is really the Jungian Shadow archetype — with added Shapeshifter elements — in the journey of Mina Harker, heroine/victim of Stoker's novel, from silly girl to empowered woman.

"This edition of the Special Report on Diseases of the Horse has been prepared in compliance with House Concurrent Resolution No. 13, passed February 3, 1916, as follows: Resolved by the House of Representatices (the Senate concurring), That there be printed and bound in cloth one hundred thousand copies of the Special Report on the Diseases of the Horse, the same to the first revised and brought to date, under the supervision of the Beeretary of Agriculture; sevenly thousa copies for the use of the House of Represedatives and thirty thousand for use of the Senate..." (By D. F. Houfrom book, by D. F. Hovston, Secretary).

Museum catalog for exhibition, Swarm. December 3, 2005-March 18th,2006. 94 pages of text and photographs of the exhibits.

Intended to be intriguing but not morbid, this book takes readers on an amazing journey through past, present, and evolving postmortem practices. The first of its kind, it deals with a topic that is rapidly becoming popular in the collectibles world. Tastefully and beautifully illustrated with many historical photographs and postcards, the book provides a pictorial review of the customs employed by mankind throughout the ages to deal with the final disposition of loved ones. Included in the remarkable array of collectible items are embalming products and instruments, photographs of funeral homes and funeral processions, promotional and advertising materials, and an outstanding collection of postmortem photographs taken in private homes and other locations. Cemetery monuments, sculptures, and mausoleums are shown, along with background material on caskets, floral arrangements, burial garments, mourning etiquette, and more. Values are included in the captions.

In this remarkable book Jonathan Miller considers the functioning of the body as a subject of private experience. He explores our attitudes towards the body, our astonishing ignorance about certain parts of it and inability to read its signals. Taking as his starting point the experience of pain, Dr Miller explores the elaborate social process of 'falling ill', considers the physical foundations of 'dis-ease' and looks at the types of individuals man has historically attributed with the power of healing. His explanations are so lucid, so wide-ranging and so whole-heartedly entertaining it is often hard to believe one is reading about the facts of one's own body and what can go wrong with it. His use of metaphor and suggestive models, particularly when tracing the historical development of certain leading ideas in human physiology, is highly stimulating. Above all, there is the keen originality and sheer enthusiasm of Dr Miller's approach to his subject which makes The Body in Question such an outstanding book.

"A stunning paean to the power of imagination. . . . Certainly the work of one of our best writers at the top of his form. . . . So convincing that the most skeptical reader will be swept away."—San Francisco Chronicle The Barnum Museum is a combination waxworks, masked ball, and circus sideshow masquerading as a collection of short stories. Within its pages, note such sights as: a study of the motives and strategies used by the participants in the game of Clue, including the seduction of Miss Scarlet by Colonel Mustard; the Barnum Museum, a fantastic, monstrous landmark so compelling that an entire town finds its citizens gradually and inexorably disappearing into it; a bored dilettante who constructs an imaginary woman—and loses her to an imaginary man!—and a legendary magician so skilled at sleight-of-hand that he is pursued by police for the crime of erasing the line between the real and the conjured.

Ingeniously written and orchestrated, each exhibit in The Barnum Museum will compel you to continue, each story becoming a lure to the next.

From the bestselling author of Martin Dressler comes a new collection of short stories that explore the magnificent obsessions of the unfettered imagination, as well as the darker, subterranean currents that fuel them.

With the panache of an old-fashioned magician, Steven Millhauser conducts his readers from the dark corners beneath the sunlit world to a balloonist's tour of the heavens. He transforms department stores and amusement parks into alternate universes of infinite plentitude and menace. He unveils the secrets of a maker of automatons and a coven of teenage girls. And on every page of The Knife Thrower and Other Stories, Millhauser confirms his stature as a narrative enchanter in the tradition of Nabokov, Calvino, and Borges.