The organization of letters on a blank sheet—or screen—is the most basic challenge facing anyone who practices design. What type of font to use? How big? How should those letters, words, and paragraphs be aligned, spaced, ordered, shaped, and otherwise manipulated? In this groundbreaking new primer, leading design educator and historian Ellen Lupton provides clear and concise guidance for anyone learning or brushing up on their typographic skills.

Thinking with Type is divided into three sections: letter, text, and grid. Each section begins with an easy-to-grasp essay that reviews historical, technological, and theoretical concepts, and is then followed by a set of practical exercises that bring the material covered to life. Sections conclude with examples of work by leading practitioners that demonstrate creative possibilities (along with some classic no-no's to avoid).

A smart, provocative account of the erotic current running just beneath the surface of a stuffy and stifling Victorian London.At the height of the Victorian era, a daring group of artists and thinkers defied the reigning obsession with propriety, testing the boundaries of sexual decorum in their lives and in their work. Dante Gabriel Rossetti exhumed his dead wife to pry his only copy of a manuscript of his poems from her coffin. Legendary explorer Richard Burton wrote how-to manuals on sex positions and livened up the drawing room with stories of eroticism in the Middle East. Algernon Charles Swinburne visited flagellation brothels and wrote pornography amid his poetry. By embracing and exploring the taboo, these iconoclasts produced some of the most captivating art, literature, and ideas of their day.

As thought-provoking as it is electric, Pleasure Bound unearths the desires of the men and women who challenged buttoned-up Victorian mores to promote erotic freedom. These bohemians formed two loosely overlapping societies—the Cannibal Club and the Aesthetes—to explore their fascinations with sexual taboo, from homosexuality to the eroticization of death. Known as much for their flamboyant personal lives as for their controversial masterpieces, they created a scandal-provoking counterculture that paved the way for such later figures as Gustav Klimt, Virginia Woolf, and Jean Genet.

In this stunning exposé of the Victorian London we thought we knew, Deborah Lutz takes us beyond the eyebrow-raising practices of these sex rebels, revealing how they uncovered troubles that ran beneath the surface of the larger social fabric: the struggle for women’s emancipation, the dissolution of formal religions, and the pressing need for new forms of sexual expression. 8 pages four-color and 5 black-and-white illustrations

Communicable Disease Nursing, 1949 2nd Edition, by Theresa Lynch. Hardcover with 776 pages, published by The C. V. Mosby Company. Complete with 131 illustrations and 4 color plates.

With a rare blend of curiosity, delight in the unexpected, and an eye for detail, this account explores the disturbing history of the cadaver trade in Australia, England, and Scotland. Drawing on a rich array of material—and using Australian Aboriginal cricketer Charles Rose’s 1868 death in London as an example—this examination argues that no corpse lying in a workhouse, hospital, or asylum was entirely safe from interference despite the established laws that gave certain officials possession of the dead. Intriguing and informative, this chronicle reveals a gruesome past and the chicanery at play behind the procuring of bodies for dissections, autopsies, and collections.

This fascinating book offers a history of museum collecting in western Europe over the course of its formative centuries, tracing its origins from the culture of collecting that emerged during the Renaissance and concluding with the great changes of the nineteenth century which would prove so influential to the museum movement of later years.

Taking into account both individual collectors and public institutions, Arthur MacGregor covers topics such as the methods by which materials from both the manmade and natural world were selected and displayed, problems of preservation and presentation, the specialization of individual areas such as fine arts, antiquities or natural history, as well as the developments of the nineteenth century that brought such collections within the reach of a much wider public. With the aid of 200 images, this book offers for the first time a wide-ranging survey of this entire process as well as the changing preoccupations of collectors.