Kay Nielsen (whose first name is pronounced "kigh"), (1886-1957) was a Danish illustrator who was popular in the early 20th century, the "golden age of illustration" which lasted from when Daniel Vierge and other pioneers developed printing technology to the point that drawings and paintings could be reproduced with reasonable facility, He joined the ranks of Arthur Rackham and Edmund Dulac in enjoying the success of the gift books of the early 20th century. This fad lasted until roughly the end of World War I when economic changes made it more difficult to make a profit from elaborately illustrated books. Born in Copenhagen into an artistic family; Both his parents were actors - Kay Nielsen's father, Martinus Nielsen, later became the director of Dagmarteater where he succeeded in making this theater the leading scene in Denmark! Mother; Oda Nielsen was one of the most celebrated actresses of her time, both at the Royal Danish Theater and at the Dagmarteater. Kay Nielsen studied art in Paris from 1904 to 1911, and then lived in England from about 1911 to 1916. Inspired first by Art Nouveau and later by the great Chinese colorists, Kay Nielsen retained a startling originality of outlook and delicacy of fancy. This unique collection of his illustrations shows how his artistic imagination and unbounded vision gave his work an outstanding place in the Golden Age of pictorial books to which he belonged. Includes 40 plates & 7 page introduction.

Richly illustrated throughout, including 8 pages of color plates, An Infinity of Things tells the story of the greatest private collection ever made, and the life of the man behind it. American-born Henry Wellcome made his millions as one of the world's first pharmaceutical entrepreneurs. Drawing on his massive wealth, he planned a great museum filled with treasures from all corners of the globe, charting the history of human health from prehistory to the present day. Demonstrating what can happen when a collector's aspirations are left unconstrained by wealth, Frances Larson explores Wellcome's life through his possessions, revealing the many tensions in his character: between his talents as a businessman and his desire for scholarly recognition; his curiosity and his perfectionism; and his philanthropic aspirations and his drive for personal glory. During the opening decades of the twentieth century he acquired a collection so large that later generations of staff took to describing its contents by the ton. But Wellcome's museum was never finished, and his collection was still stored in vast warehouses when he died, unseen and incomplete.

Science and technology have immense authority and influence in our society, yet their working remains little understood. The conventional perception of science in Western societies has been modified in recent years by the work of philosophers, sociologists and historians of science. In this book Bruno Latour brings together these different approaches to provide a lively and challenging analysis of science, demonstrating how social context and technical content are both essential to a proper understanding of scientific activity. Emphasizing that science can only be understood through its practice, the author examines science and technology in action: the role of scientific literature, the activities of laboratories, the institutional context of science in the modern world, and the means by which inventions and discoveries become accepted. From the study of scientific practice he develops an analysis of science as the building of networks. Throughout, Bruno Latour shows how a lively and realistic picture of science in action alters our conception of not only the natural sciences but also the social sciences and the sociology of knowledge in general.

This stimulating book, drawing on a wealth of examples from a wide range of scientific activities, will interest all philosophers, sociologists and historians of science, scientists and engineers, and students of the philosophy of social science and the sociology of knowledge.

This monumental work of cultural history was nominated for a National Book Award. It chronicles America's transformation, beginning in 1880, into a nation of consumers, devoted to a cult of comfort, bodily well-being, and endless acquisition. 24 pages of photos.

Urges readers to look beyond the catch-all concept of depression to explore the deeper, unconscious ways in which we respond to the experience of loss.

This book was digitized and reprinted from the collections of the University of California Libraries. Together, the more than one hundred UC Libraries comprise the largest university research library in the world, with over thirty-five million volumes in their holdings. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library. HP's patented BookPrep technology was used to clean artifacts resulting from use and digitization, improving your reading experience. Despite the cleaning process, occasional flaws may still be present that are part of the original book, reflecting the journey of these collections over a lifetime of use.