M.R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror.

As well as the preface, there is a fascinating tail-piece by M.R. James, Stories I Have Tried To Write , which accompanies these thirty tales. Among them are 'Casting the Runes', 'Oh, Whistle and I'll come to you, My Lad', 'The Tractate Middoth', 'The Ash Tree' and 'Canon Alberic's Scrapbook'.

There are some authors one wishes one had never read in order to have the joy of reading them for the first time. For me, M.R. James is one of these . Ruth Rendall

The Varieties of Religious Experience was an immediate bestseller upon its publication in June 1902. Reflecting the pluralistic views of psychologist turned philosopher William James, it posits that individual religious experiences, rather than the tenets of organized religions, form the backbone of religious life. James’s discussion of conversion, repentance, mysticism, and hope of reward and fears of punishment in the hereafter—as well as his observations on the religious experiences of such diverse thinkers as Voltaire, Emerson, Luther, and others—all support his thesis. Walter Houston Clark in Psychology Today deemed it “the most notable of all books in the field of the psychology of religion.”

House of Psychotic Women is an autobiographical exploration of female neurosis in horror and exploitation films. Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - 'the eccentric' - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. Named after the U.S.-retitling of Carlos Aured's The Blue Eyes of the Broken Doll, House of Psychotic Women is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and an examination of female madness, both onscreen and off. This sharply-designed book with a 32-page full-colour section is packed with rare stills, posters, pressbooks and artwork that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, The Corruption of Chris Miller, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let's Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more!

An informal history of sensational, scientific, silly, satisfying, and startling attractions based on seventeenth, eighteenth, and nineteenth-century broadsides from Ricky Jay's extraordinary collection. It includes observations on the convention of promoting such appearances, digressions on the manner and method of printing advertisements to do so, and insights into the psychology employed to that end. All are compiled in a monograph that is itself a shameless attempt to entertain and elucidate.

It is the contention of the author that neither the tongue of the most florid orator, nor pen of the most ingenious writer, can sufficiently describe the elegance, symmetry, and prodigious accomplishments of those who pass in review within these pages

Included are broadsides advertising: an armless dulcimer player, a ghost showman, a singing mouse, a chess-playing automaton, a cannon ball juggler, an African hermaphrodite, a chicken incubator, a rabbi with prodigious memory, a ventriloquist, a spirit medium, a glass blower, a woman magician, a speaking machine, a mermaid, a bullet catcher, a flea circus, and an equestrian bee keeper. Illustrated throughout

A bit of relationship advice for the demonically possessed: don't have a formal, church wedding. With all the Christian paraphernalia, your demons will freak out and you'll make a grotesque exhibition of yourself. For Tisch Brooks, the only upside of her obscene display at the altar is that the man she really wants (not the groom) now takes her possession seriously. He happens to be Ethan Cresson, the handsome young dean of Harvard Divinity School where Tisch is a student and contracted her possession. The problem is that no one else at the school believes in the supernatural, much less demons. That may be changing. With Ethan nearly a believer (and thoroughly smitten with Tisch) they decide to risk their reputations, and possibly sanity and souls, in order to gratify her demons and coax them to reveal the centuries-old curse explaining why demons are haunting Harvard.