How Alex Grey’s visionary art is evolving the cultural body through icons of interconnectedness

• Includes over 200 reproductions of Grey’s artwork

• Contains spectacular photos of Grey’s collaboration with the cult band TOOL plus his worldwide live-painting performances

• Offers Grey’s reflections on how art evolves consciousness with a new symbology of the Networked Self

• Winner of the 2013 Nautilus Silver Book Award in Photography and Art

Revealing the interwoven energies of body and soul, love and spirit that illuminate the core of each being, Alex Grey’s mystic paintings articulate the realms of consciousness encountered during visits to entheogenic heaven worlds. His painting Net of Being—inspired by a blazing vision of an infinite grid of Godheads during an ayahuasca journey—has reached millions as the cover and interior of the band TOOL’s Grammy award–winning triple-platinum album, 10,000 Days. Net of Being is one of many images Grey has created that have resulted in a chain reaction of uses—from apparel and jewelry to tattoos and music videos—embedding these iconic works into our culture’s living Net of Being.

The book explores how the mystical experience expressed in Alex Grey’s work opens a new understanding of our shared consciousness and unveils the deep influence art can have on cultural evolution. The narrative progresses through a successive expansion of identity—from the self, to self and beloved, to self and community, world spirit, and cosmic consciousness, where bodies are transparent to galactic energies. Presenting over 200 images, including many never-before-reproduced paintings as well as masterworks such as St. Albert and the LSD Revelation Revolution and Godself, the book also documents performance art, live-painting on stage throughout the world, and the “social sculpture” called CoSM, Chapel of Sacred Mirrors, that Grey cofounded with his wife and creative collaborator, artist Allyson Grey.

Exactly the book for every young explorer who loves finding stuff in nature and bringing it home. Cabinet of Curiosities is a lavishly illustrated introduction to the wonders of natural history and the joys of being an amateur scientist and collector.

Nature writer Gordon Grice, who started his first cabinet of curiosities at age six when he found a skunk’s skull, explains how scientists classify all living things through the Linnaeus system; how to tell real gold from fool’s gold; how to preserve butterflies, crab shells, feathers, a robin’s egg, spider specimens, and honeycombs; how to identify seashells; the difference between antlers and horns; how to read animal tracks. And then, what to do with your specimens, including how to build a cabinet of curiosities out of common household objects, like a desk organizer or a box for fishing tackle.

This classic anthology, first published in 1921, has been instrumental in reviving interest in the seventeenth-century metaphysical poets and in securing for them the high reputation they now enjoy. This new edition includes the same poems as the original—love poems, divine poems, elegies, satires, epistles, and meditations by over twenty-five different poets ranging from Suckling and Donne to Marvell and Herbert. Grierson's brilliant introductory essay is included, while Alastair Fowler has contributed a new introduction and notes and modernized the spellings throughout.

The ethical and ideological implications of cross-cultural image-making continue to stir debate among anthropologists, film scholars, and museum professionals. This innovative book focuses on the contested origins of ethnographic film from the late nineteenth century to the 1920s, vividly depicting the dynamic visual culture of the period as it collided with the emerging discipline of anthropology and the new technology of motion pictures. Featuring more than 100 illustrations, the book examines museums of natural history, world's fairs, scientific and popular photography, and the early filmmaking efforts of anthropologists and commercial producers to investigate how cinema came to assume the role of mediator of cultural difference at the beginning of the twentieth century.

The Complete Fairy Tales of the Brothers Grimm

Perhaps no other stories possess as much power to enchant, delight, and surprise as those penned by the immortal Brothers Grimm. Now, in the new, expanded third edition, renowned scholar and folklorist Jack Zipes has translated all 250 tales collected and published by Jacob and Wilhelm Grimm, plus twenty-nine rare tales omitted from the original German edition, as well as narratives uncovered in the brothers’ letters and papers.

Truly the most comprehensive translation to date, this critically acclaimed edition recaptures the fairy tales as the Brothers Grimm intended them to be: rich, stark, spiced with humor and violence, resonant with folklore and song.

One of the world’s experts on children’s literature, Jack Zipes is a professor of German at the University of Minnesota and is the author of numerous books on folklore and fairy tales.

The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one’s hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures—and their abrupt disappearance—reveals a knot in the unfolding of the history of vision.   Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject’s gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched. These treasured portraits always return the looks they receive and, as such, they create a reciprocal mode of viewing that Grootenboer calls intimate vision. Recounting stories about eye miniatures—including the role one played in the scandalous affair of Mrs. Fitzherbert and the Prince of Wales, a portrait of the mesmerizing eye of Lord Byron, and the loss and longing incorporated in crying eye miniatures—Grootenboer shows that intimate vision brings the gaze of another deep into the heart of private experience.   With a host of fascinating imagery from this eccentric and mostly forgotten yet deeply private keepsake, Treasuring the Gaze provides new insights into the art of miniature painting and the genre of portraiture.

Taking Freud's idea of the Uncanny as a starting point, artist Mike Kelley plays Sunday curator and presents work by Jasper Johns, Paul McCarthy, Jeff Koons, Tony Oursler, and others (reprinted from a 1993 catalogue), plus photos of chewing gum wrappers, postcards, record covers, and toys, all connected to ideas of youth and the Uncanny.