Tells the story of the earliest days of the medical profession and the study of anatomy in Melbourne. From the days when the poor houses were a source of cadavers, charlatans proclaimed themselves surgeons, and anatomists led the public debate on Darwin's theories and the controversial study of eugenics, through until today's world.

In the late nineteenth century, as Americans debated the "woman question," a battle over the meaning of biology arose in the medical profession. Some medical men claimed that women were naturally weak, that education would make them physically ill, and that women physicians endangered the profession. Mary Putnam Jacobi (1842-1906), a physician from New York, worked to prove them wrong and argued that social restrictions, not biology, threatened female health.

Mary Putnam Jacobi and the Politics of Medicine in Nineteenth-Century America is the first full-length biography of Mary Putnam Jacobi, the most significant woman physician of her era and an outspoken advocate for women's rights. Jacobi rose to national prominence in the 1870s and went on to practice medicine, teach, and conduct research for over three decades. She campaigned for co-education, professional opportunities, labor reform, and suffrage—the most important women's rights issues of her day. Downplaying gender differences, she used the laboratory to prove that women were biologically capable of working, learning, and voting. Science, she believed, held the key to promoting and producing gender equality.

Carla Bittel's biography of Jacobi offers a piercing view of the role of science in nineteenth-century women's rights movements and provides historical perspective on continuing debates about gender and science today.

Brand New Spiral Bound Book Direct from the Publisher, Marilyn Blaisdell.

Gross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson—the technically precise province of clinical surgeons and medical faculties—hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. Anatomy Live: Performance and the Operating Theatre, a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head—using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like Body Worlds and The Visible Human Project and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, Anatomy Live is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice.

A zombie rises from the grave of French literature to stalk the earth once more! This bizarre novel – written in 1697 – marks the first mention of the word “zombie” in world literature. It is a wicked tale of lascivious lust and lunatic desires, a strange concoction of prose and verse, set in the sexual and racial hothouse of colonial Guadeloupe. Our narrator has his eye on the beautiful Creole Countess, who goes barefoot and serves her guests tadpoles. When she offers him sex in exchange for magical powers, he tricks her into thinking she’s an invisible zombie; slapstick, humiliation, and confusion follow. Includes a preface by the avant-garde magus: Guillaume Apollinaire. FIRST PUBLICATION IN ENGLISH!

The cabinets of obsessive Renaissance collectors were filled with rhinoceros horns encrusted with rubies and jaws of gigantic fish, stuffed birds in the most extraordinary colors, and glorious sea shells of all descriptions. Today’s collectors amass everything from Picassos to Pez dispensers. But why? In To Have and To Hold, Philipp Blom explores the history of the collecting passion from the Renaissance to the present.

Every collected object, be it a matchbook or a martyr’s fingernail, carries a meaning that transcends the object itself; it is a totem. Single-minded pursuit turns the collector into cultural anthropologist. For Alex Shear, his collection from the post-War period—from vintage radios, fallout shelters, and Jell-O boxes to elaborate hair drying contraptions, bobby pins, and Barbie dolls—preserves an age of innocence in the form of the familiar household items that served as the set props for the 1950s American Dream. Alex’s Renaissance counterpart is King Rudolph II, whose collection of the art and exotica of his day (housed in his ever-expanding castle in Prague) was breathtaking in its complexity and sophistication, representing the magnificent profusion of the treasures of a world newly explored.

Out of this glittering diversity of material Blom distills the themes underlying this seemingly elusive passion: conquest and possession, chaos and memory, a void to be filled, and the awareness of our own mortality. What emerges is the story of the collector as bridegroom, deliriously, obsessively happy, wed to his possessions, till death do us part.

London, 1921. The world's greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. "In a thousand years you will be as lovely as you are now," he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public's imagination ever since Madame Tussaud established her famous museum in London in 1802.

Artists, too, have been fascinated by wax sculptures, seeing in them-and in the unique properties of wax itself-an eerie metaphoric power with which to address sexual anxiety, fears of mortality, and other morbid subjects. In Waxworks, Michelle E. Bloom explores the motif of the wax figure in European and American literature and art. In particular, she connects the myth of Pygmalion to the obsession with wax statues of women in the nineteenth-century fetishization of prostitutes and female corpses and as depicted in such "wax fictions" as Dickens's The Old Curiosity Shop (1841). Filmmakers, too, have sought inspiration from wax museums, and Bloom analyzes works from the silent era to such waxwork-themed Hollywood horror films as Mad Love (1935) and House of Wax (1953). Bringing her discussion to the present, Bloom examines the work of contemporary artists who use the medium of wax in ways never imagined by Madame Tussaud. As extravagant new wax museums open in Las Vegas, Times Square, and Paris, Waxworks offers a provocative cultural history of this enduring-and disturbing-art form.

Michelle E. Bloom is assistant professor of French and comparative literature at the University of California, Riverside.

***PBS's AMERICAN EXPERIENCE released a film based on The Poisoner's Handbook in January 2014***

Equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is "a vicious, page-turning story that reads more like Raymond Chandler than Madame Curie" (The New York Observer)

A fascinating Jazz Age tale of chemistry and detection, poison and murder, The Poisoner's Handbook is a page-turning account of a forgotten era. In early twentieth-century New York, poisons offered an easy path to the perfect crime. Science had no place in the Tammany Hall-controlled coroner's office, and corruption ran rampant. However, with the appointment of chief medical examiner Charles Norris in 1918, the poison game changed forever. Together with toxicologist Alexander Gettler, the duo set the justice system on fire with their trailblazing scientific detective work, triumphing over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice.