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Caricature of James Whistler (1834-1903), artist and notorious dandy, by Aubrey Beardsley, fellow dandy.

What Now?
Dandies and dilettantes are relics of another age and deeply at odds with the forces that produced them. For us sensitive souls—we modern day dandies, dilettantes, or the dilettante-curious, destined perpetually to be mildly out of step with out times—our forebearers can be inspirational; for they indicate an alternative to the two major strategies of coping with the world: the postmodern ironic embrace, and the purely reactive, perpetually adolescent, bohemian rejection.

In one of the great novelistic considerations of coping with the absurdities of life, Candide (written right between the birth of the dilettante and the dandy), Voltaire concludes that, in the face of the almost deliberately malicious vicissitudes life can throw one’s way, sometimes the best course is a sovereign disdain indistinguishable from foolishness: we must tend our gardens.

Dandies and dilettantes ride their hobbyhorses, sometimes with, sometimes against the tide, a diffuse community of gardeners

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